Monday, May 29, 2017

NOTHING CLEANS THE MENTAL PALATE LIKE A TASTE OF ART



Need a refreshing change of pace? Try art!


Not your thing? Well at least it doesn't bite or smell or leave an unpleasant aftertaste. (Not usually, anyway.) 



Running Fat Man #2. Artist: Glenn S. Michaels

What's more, art can surprise you when you least expect it. I know. Here's how.



Don't believe me? Look at this.



FYI: The red square is not a part of the original image.

Now look at the image in the red box from a different angle.




Some magicians pull rabbits out of hats. Baskin preferred birds.

Lesson done. 

Is your palate feeling refreshed?

Friday, October 30, 2015

REHABILITATING FAILURE

One writer's small effort to rehabilitate 

the reputation of failure.

Sponsored by the award-winning commercial design specialists of NM Interiors Group at www.nminteriors.biz.




I recently encountered a LinkedIn post, entitled, How To Use Failure To Your Advantage by Dr. Travis Bradberry. He is the award-winning co-author of the bestseller, Emotional Intelligence 2.0.

The suggested techniques make sense for anyone who thinks failure is an infinitely shameful experience. But is it? Does it have to be shameful and embarrassing?

Failure - when experienced as a potent form of negative feedback - can be accompanied by significant emotional distress and self-generated or externally-prompted behavioral modification. It may take the form of avoidance behavior and self-inflicted punishment, corporeal or emotional. 

After an encounter with failure, some decide that they are stupid, worthless and deserve to suffer. Such an outcome can do profound harm to one's quality of life. 

Perhaps failure and the negative impulses it prompts deserve reconsideration. 



 *****

What is "failure?"  

There may not be single or simple definition. But its connotation is easier to sum up. Failure is unacceptable. It is useless.

Failure isn't a real thing or act. It isn't even an accurate description of a thing or act. It is the label we attach to that thing or act. It is a value judgment backed with super glue.

Who would want to be labelled a failure or associated with one? The fact that it is so damned constricting makes it especially soul-killing and ego damaging.

But suppose that failure were not unacceptable. Say you suddenly realized that someone had slapped the wrong label on that thing or act. The wrong label!  (According to the newspaper, human beings make mistakes daily.)

So what happens when you detach the failure label? The cooties disappear. 

Now failure looks more like an error. Heck, it might even prove a roaring success. Isn't that what happened when Norma Jean Mortenson was relabeled Marilyn Monroe? 

In this paradigm, failure error is not the end. It is a starting point. It signals that there is something to be learned, a breakthrough waiting to be discovered. What was once apparently irredeemable and useless now signals profound value. Errors can be corrected.

Like the very best teachers, failure error encourages us to move forward. It challenges us and opens our eyes to opportunities we were unaware of. The more open we are to failure error, the faster we can grow. 

So is failure error the same thing as a challenge? Certainly failure error proved a plenty big challenge for me. When I finally reversed one of my first major failures errors, I gleaned a life-changing lesson. 

Once I could do that thing I hadn't been able to do before, it seemed that no one cared how long it had taken me or how often I had failed erred. All that mattered was that I could and that I wanted to.  

Overcoming challenges is what human beings were designed to do, given that human existence is chock full of challenges. There is, of course, something to be said for picking your challenges wisely. But wisely chosen or not, failure error is an essential and often undervalued educational aid. 

Respect each failure error for the value it delivers. Address it, then release it. Do not dally. 

There are always new and better failures errors dead ahead.



###





Thursday, October 15, 2015

EYE, EYE, EYE!

Self-portraits As A Form Of Personal Inquiry



Sponsored by the award-winning commercial design specialists of NM Interiors Group at www.nminteriors.biz.
Shiva's Half-brother in Arizona. Oil on wood. Diameter: 24 inches


If a picture is worth a 1000 words, by the time you have scrolled down this page, you will have absorbed an over 6000 word essay! (Talk about speed reading!)

Who is that? What does it mean? I keep trying to narrow myself down, but like Walt Whitman, I keep discovering multitudes. That's sorta scary. But I keep looking anyway. Am I  an artist? A blogger? Technical writer? Copywriter? Editor? Poet manque? Critic? Husband? Son? Consumer? Friend? Citizen? Client? NM Interiors employee? All of the above? Or merely some of the above? One at a time or all together?

If some artists make self-portraits as statements - say Rubens -, others make them as inquiries - think Rembrandt or Kaette Kollwitz. Sure, I love Rubens as much as the next paint addict. But most of the time, I think I fall into the inquiry camp.

Anyway, if you see another way of parsing the issue, send a portrait with a clarification.


2014 - 2015. Oil on canvas on
board with cloth and glass tiles. 12 x 12 inches




















Mixed media on paper. 24 x 18 inches. 1981
Oil on canvas on board. 8 x 8 inches. 2015























Metaphysical Self Portrait. Acrylic on wood.
16 x 20 inches. 1993




What can this drawing say.
 Crayon & paper w/ cut-outs. 18 x 24 inches. 1991


For more clues, visit: 




Sunday, October 11, 2015

SHE IS LOAM. HE IS CLAY.

A love song to posterity, David & Roberta Chorlton.



Sponsored by the award-winning commercial design specialists of NM Interiors Group at www.nminteriors.biz.

She is loam. He is clay. 
You - sand, me - dust.
Over there - nightsoil. 
Limestone, shale, mulch -
there is no waste.

Our was supplies your will, with joy.

Our ardour is like no other. 
Eyeless. Armless. Moist. Ripe.
We bed your seed, cradle your filaments, 
hug your root...


Absorb all deliciousness
with omnivorous delight.



Glenn S. Michaels
October 2015

TOO MUCH GOOD ADVICE JUST ISN'T


Good advice is eating us alive.


Sponsored by the award-winning commercial design specialists of NM Interiors Group at www.nminteriors.biz.




Play more. Learn this. Master that. Volunteer there. Contribute more. Save more. Read more. Arrive earlier. Stay later. Get more exercise. Spend more time with the family. Eat right. Eat less. Eat more often. Smell the roses! Invest wisely. Vote. Prioritize. Hurry! But be careful. 

I cannot keep up. Can you?

When the failure to keep up signifies being left-behind, the unjust consequence is, often enough, self-destructive thoughts and behavior.

The solution? Oh, please.

Instead of looking for a solution, try remembering. What was it that you set out to do in life? Have you done any of that recently?

Did you fall short? Falling short isn’t failure. It is how we know that we have something more to learn; it means another chance to grow. 

Why waste your good heart and mind listening to negative internal and external voices?  There isn’t another person on earth capable of walking the exact same path as you have. Not one.

By the way, have you remembered to thank the marvelous folks who helped you along the way? What about the big meanies – the nasty people that forced you to prove them wrong? Have you stopped to appreciate the incredible people who have chosen to challenge themselves on paths parallel to your own?

Must you really be the first or the fastest? Isn’t the point just to make yourself the master of your circumstances? To own them (and discard them) as opposed to being overrun by them?

Hello! Because of you, the lives of untold thousands have more meaning. You listened to their ideas. You ate the food they helped make possible, travelled to places that they built. You listened to their music. You purchased, used and benefited from the results of their hard work, their commitment. And now you have done the same for me.

You are terrific. Don’t get over it.

Photo: Two of six figures from Auguste Rodin's Burghers of Calais (1884-95). 

Glenn Scott Michaels
October 2015

Thursday, September 24, 2015

SIGHTS AND INSIGHTS - SANTIAGO, CHILE 2015

MARCH 21 – MARCH 29, 2015

WHAT A WAY TO GO! 

Sponsored by the award-winning commercial design specialists of NM Interiors Group at www.nminteriors.biz.

Let me put this as delicately as I can. Once you get to Santiago, Chile, you go in style.



Quite simply, this bathroom at the Museo Chileno de Arte Precolombino was one of the high points of my eight-day visit to Santiago. The design concept is simple. Small, cobalt blue tiles.

They’re easy to clean. Durable. Delightful. A joy to look at. It seemed akin to a discrete, cool and quiet mini-throne room sans simpering courtiers and ormolu. That’s my long-winded synonym for “(en)joy.”

Conceptually, the blue tiles seemed a perfect complement to the beautiful and marvelous antiquities we inspected there. But more about the antiquities, later. After a bathroom break.



Moving on. Actually, for the length our stay in Chili, the only bathroom that wasn't lovely - I do use that word advisedly - or spotless was at the airport. And, honestly, I've seen lots worse in Phoenix, Arizona (my home city) and elsewhere.

No, I didn't take photos of all the bathrooms I visited in Santiago. I wish I had. But here are a few from the Parque Arauco mall, not far from our hotel. 



Does this look like “Third World” living to you? 


No, this is not a “pay for use” bathroom. This is a public men’s bathroom, around 6:30 PM, in a very active mall.


The walls are ceramic – a simulated wood pattern. The faucet is photoelectric.


The mirrors are spotless. 


Take a quick peek inside (See below. By the way, the man with his back to the camera is drying his hands.) 


Note the range of textures. The sandblasted glass toilet doors. The playful surface of the ceramic wall opposite. Offset by a highly varnished solid bench. 


The variety of textures adds impact to the overall sensuality of the space. 

It’s clean. So clean. 



But what really blew me away so was simple, I could not believe I had never encountered it anywhere in the US.


Look at this. As you leave the bathroom, you can report on your experience via this build-in touch screen.






Here’s my rough translation.( I don’t by the way, speak Spanish.)


“Your opinion interests us. Evaluate the quality of our bathrooms.”


I traveled 8000 miles from Phoenix to Santiago to discover something so useful, so obvious, it really shocked me. 

Bathroom break!



Ok, stop muttering. I can hear you. The fact that the bathrooms of Santiago made my stay doesn't mean – not by any stretch of the imagination – that the rest of the city was a dump.


No. Not. Uh, uh. Decidedly, absolutely wrong.


Before we stroll outside, spend a few moments inspecting the collection of the Museo Chileno de Arte Precolombino. The building’s interior architecture would readily earn plaudits were it located in North America or Europe. Never mind that the exterior dates to the turn of the preceding century. (The architect was the Chilean, Smiljan Radic.) 

The artifacts are equally impressive. Frankly, this was the most interesting museum, in my opinion, in Santiago.






The wooden figures (“Chemamüll” = wood people) seen in the subterranean gallery shown here are about 1.5 to 2 times life size. They’re grave markers made by the Mapuche people. I’m not sure how old they are. Apparently, the Spanish invaders burned many of these grave markers as idolatrous. 


On the other hand, it seems that the Mapuche people managed to retain their cultural identity and lands (!) in the south of Chile, by fighting the invaders and descendants in war of attrition (the Arauco war) that, according to one source, lasted approximately 300 years.


My references indicate that the courage, intelligence and resilience of the Mapuche are recognized and honored in Chile today. I’m guessing that the Mapuche are the Chilean counterparts of the Apache tribes of the USA. 


These artifacts were selected at random from the exhibition halls and don’t necessarily reflect the style of the Mapuche, or any other single indigenous group. The museum displays artifacts from a wide range of regional cultures that pre-dated the arrival of Christopher Columbus in the Americas.

One of the many questions I was left with after touring this museum had to do with the extensive collection of elaborate, and to my mind, highly creative, figurative ceramic jars on display. What was stored in these jars? 


Their complexity and creativity suggests a considerable investment in time and skill. These aren't, by any stretch of my imagination, “primitive” pieces. In fact, the quality of work is frequently highly reminiscent of the equally marvelous modern and contemporary ceramic collection housed in the Ceramics Research Center of Arizona State University. (That collection ought to be the topic of yet another blog post. Whether it will be remains to be seen.) 

 Whatever was stored in them, they wouldn't have been easy to clean. The spouts are invariably quite small.


Were they, perhaps, funerary urns? But then, why place ashes of a loved or respected community member in a snake? Or a cat? If you know – or simply want to hazard a guess – please post a comment to the blog clarifying this question for me and any other parties interested. 

In any case, I found them memorably lovely. And highly accomplished. 


The two figures in the middle certainly represent a warrior and captive. 




Oh, then there’s this athlete, whose realistic depiction I found compelling. Another very similar piece on the Internet is described as “Ballplayer with helmet, Remojadas, Veracruz, Mexico.”  The figure shown here probably has a standing height of about three feet.



It’s my guess that even before the advent of horses, buses, trains and TV, popular sports – and sports figures – likely traveled widely.  


Is the museum being to feel a bit “close?” Want to step outside, catch some fresh air and stretch your mind?


Me, too. 


For a city subject to frequent and often devastating earthquakes, Santiago has an awful lot of really intriguing architecture. In fact, architecturally speaking, I found Santiago far more intriguing than Phoenix.


And yet, both cities have much in common. Both are surrounded by mountains. Both are capitols. Santiago is the capitol of Chile. Phoenix, my home, is the capitol of Arizona. Europeans arrived for the first time in Chile and Arizona at roughly the same time, 1539 and 1550. Both have semi-arid climates. Copper, in particular, has played a highly significant role in the development of the economies of Chile and Arizona, with considerable impact on their respective populations.

 What is Santiago like?


Figure 1 View from hotel window. Las Condes District.


It’s like Phoenix, only more so. The highest mountains near Santiago range around 21,000 feet high. The population of Santiago is approximately 7 million souls. 

The population of metro Phoenix (including Maricopa and Pinal counties) is estimated at 4.5 million. Santiago has the fourth largest subway system in North and South America with 64 miles of active lines and 108 stations. Phoenix’s light rail system has 20 miles of active lines with 28 stations.







Like Phoenix, Santiago–indeed all of Chile– has water issues. Torrential floods clobbered northern portion of Chile, one of the driest areas of the entire world, while we were there. Clobbered is not an exaggeration. 

According to Reuters, Chile's President Michelle Bachelet says it will cost at least $1.5 billion to repair the damages…” (http://www.theatlantic.com/photo/2015/04/devastating-floods-hit-northern-chile/390024/)


Santiago was unaffected.



The elected president 
of Chile is a woman,
 Michelle Bachelet.  

You can see the correspondence to Arizona, right? After all, Arizona is the only state in the union to have had four female governors, three of whom served consecutively.





You’ve read enough. More than enough already. The rest of the story is told in pictures.



This is Santiago, Chile, also home to the highest skyscraper in S. America (shown above… but not specifically identified).

As far as I can tell, Chileans are VERY proud of their country and...

presumably,  its progress. We took a day-tour outside the city to Viña del Mar and Valparaiso. Those two cities sit on the Pacific Ocean just an hour and a half to the west.  



Since this post is specifically about Santiago, I won’t discuss them. But what really struck me was the way our tour guide constantly, and with the utmost pride, kept referring, in English, “to my country.” 

You might have thought she owned it, all of it.


While in Santiago, we twice encountered a taxi driver whose English was quite good. Not a young man, but then again not as old as I am, either.


He was, I must say, one of the better informed taxi drivers I’ve ever encountered. Among other things, he had plenty to say – all positive, as I recall – about the “neo-liberal” economic policies of Chile. The policies that, he thought, had brought the Santiago we saw, into being.


 











Posted on April 15, 2015. By Glenn S. Michaels

URBAN COLOR: DOWNTOWN PHOENIX 2015

Published April 2015





Sponsored by the award-winning commercial design specialists of NM Interiors Group at www.nminteriors.biz.

Blissed out


Color.

It has such marvelous properties. It can mitigate depression, increase attention span, stimulate or relax, and induce a meditative state. Urban color in particular – the colors cultivated in an urban landscape – can be equal parts soothing and stimulating, simultaneously.

Urban color allows us to look away, to relax.



It lives in a variegated color environment filled with warm and cool, brilliant and neutral. While it can be intensely brilliant, it is rarely monotonous, uniformly cacophonous or claustrophobia-inducing, the way the colors in an indoor mall can be.



Color is generally non-toxic (in metro Phoenix) and has zero calories as long as you don’t eat it or cover yourself with the wrong form of it.

























Best advice: Don’t ingest cadmium- or lead-based paints. Don’t apply them to body parts, either.

Bad news: "'Particles of any kind, even much smaller than the wavelength of visible light, will, as a rule, make the sky brighter but at the expense of its purity of color,' [Craig] Bohren [professor emeritus of meteorology, Pennsylvania State University] says, noting that the effect is more pronounced when there is a high concentration of large aerosols. So, although aerosols may make a sunset red, excess pollution will also dampen the overall sunset experience."

(Fact or Fiction? Smog creates Beautiful Sunsets. By Coco Ballantyne http://www.scientificamerican.com/article/fact-or-fiction-smog-creates-beautiful-sunsets/. July 12, 2007.)



















Then, too, not all that is colorful is, strictly speaking, color. Good design – whatever that may be – is a form of color. Texture, too, can be colorful and beautiful.

Light, itself, is colorful. Still, the flat, harsh light of the desert environment in the middle of the day can also be cruel to ambient color. Such flat – often blinding light – overwhelms the eye’s ability to distinguish nuances. Shade and shadows are erased. Mid-tones evaporate.

Colors fry.





Personally, I prefer to take my color much the way I take my very occasional drinks.  No jiggers or anything straight up for me. I’ll order a blended concoction every time… aside from root beer.

Put another way, I respect Mark Rothko and Yves Klein. Still, I’d rather hang (around) a Jackson Pollack. 

But I digress when I had intended to ramble. Mea culpa.
So. Following a very long, un-fun Saturday, I rose early and went for a run through nearby historic Phoenix, Arizona, neighborhoods. The temperature was excellent for this, maybe 60F. 




My path was unpremeditated, alternating between straight shots up and down Culver, Willetta and serpentine, “how did I get here” stretches, south of McDowell Avenue and west of 7th Avenue. 

After two hours or so, I was high.

Totally blissed out. On color.

It lasted the rest of the day.  The riot of fantastic colors and neat homes, wrapped in crisp air and covered with cloud sprinkled blue sky somehow dilated my consciousness. 

“Terrificness” seemed to surround me.



I’m not sure, but I think I had a very Zen day. 

(Kōan: Why is color like the Buddha? Student: It lives everywhere, infuses everything, and pays the attentive at no expense to the careless.)

At some point, it occurred to me that almost any structure looked better – more interesting, more inviting, with foliage and flowers, with color, than its blander neighbors. Take a simple shape, dress it in color, and like magic, it was a joy to behold.



Actually, it struck me that each of these lovely micro-environments was itself a sort of flower. A momentary monument to the joy of color, of light and of design.

I’m afraid that I looked more than a little suspicious to the neighborhood folks who paid any attention to me. 



















After my run, I had come home, grabbed my camera and drove back down the streets that most impressed me.

Dressed in paint-spattered and smudged tee-shirt and shorts, wearing heavy boots, a “camera” bag slung over my shoulder with an open bottle sticking out – it was root beer – while walking from house to house taking photographs just seemed to arouse latent suspicions.

Go figure.





























Asked by one lady why I was photographing her house, all I could say was “It’s so lovely.” When I eventually returned to my parked car, a vibrant yellow Toyota Matrix passed down by my spouse (now badly bruised and missing a fender), one of the neighbors stopped a van behind my car so that I couldn't pull out. I sat and waited. I imagine the van’s driver or passenger noted my license plate number… just in case.



I might have done the same. Vigilance is wise where burglary and breaking and entering are fairly common.

My original impulse to simply capture the beauty I had seen became an urge to share it. I hope that my delight in delicious spring and the blended joy of the neighbors’ individual experiments with color, architecture and design is at least slightly contagious.

A few more snapshots of neighborhood urban color follow, just for the joy of it.






























The author of this post - gsmichaels - has resided in metro Phoenix since 1982; grew up in the rustbelt; and studied abroad. He has lived in the same historic district house, located in urban Phoenix, Arizona, for 17 years. His spouse is an ASID designer. His mother was an ISID designer. He has always earned a living as a writer of one type or another… but has never published a book. His Bachelor’s degree is in Creative Writing: Poetry. His dream vocation is fine artist. But, as it happens, he is fond of regular meals and aspires to retain both ears for the length of his days.

The author explains that he experiences his blog posts as form of manual labor with mood enhancing qualities and useful mental exercise. 

All errors and omissions are the sole responsibility of the author.

Your corrections and comments are welcome.